Different Style of BharatNatyam [Part3] -- PandanallurBani

-

 

1.       PandanallurBani :Many 1st generation star dancers went to Pandanallur village to learn. This style has diverse Adavu patterns and has worked and stylised techniques. Emphasis was given on symmetry and harmony, complex rhythmic pattern, intense musicality, purity and precision of rekhas. The dancers gave away the excess of body movements and melo drama concentrating on the purity and subtlety of the dance itself. The abhinaya was purely Natyadharmi.Slow progression and evolution of the techniques were the main features. Wide swipe of arm, clarity of hastas, controlled emotional quotient was the main moto.  Dragging the Sancharis was not done atall. The items and the dance dramas were crisps. Lots of importance was given to the content rather than excess drama.Vulgarity in any form during abhinaya and excessive acrobatic movements during nritta was kind of prohibited.Araimandi and AngaSudhiwas given lot of priority. Too much of Utplavana was given away , covering the stage with subtlemovemsts was practiced. Relaxing and smiling and enjoying while performing was a common mantra given to the students.Ekarathi abhinaya in Margam format rather than dance drama was preferred.

 

Famous Dancers/ Gurus  : MeenakshiSundaram Pillai, US Krishna Rao,Mrinalini Sarabhai, Ram Gopal, Chokkalingam Pillai, Periyavadiyar, Chinayavadiyar, Subhraiyar Pillai,PandanallurJayalakshmi, PandanallurPandiyan, Sabharanjitam, AllamelValli, MeenakshiChitraranjan.


Note : Drop your queries or suggestions at sangeetkalakendra1@gmail.com
Visit our Facebook page : https://www.facebook.com/Sangeet-Kala-Kendra-1461430557205352/
Youtube : https://www.youtube.com/watch?v=UcOJ0uLi4y4


Quick Links  :  Important Links,         Home Page,       My Lineage   Natyashastra Series   Abhinayadarpana Series Shivatatvaratnakara Series SangeetDamodara Series Srihastamuktavali Series
    1. Natya Shastra _Slokas  
    2. NatyaShastra (Part 1) --- The story of the Beginning of Dance & Drama  
    3. Natya Shastra (Part 2) - Common Mistakes & Promise
    4. Natya Shastra ( Part 3)--  Birth of Apsaras
    5. NatyaShastra(Part 4)  -- Bharata Muni
    6. NatyaShastra (Part 5) ---  The Problem & Its Solution
    7. Chatur Sloka
           
    Make Up Series
    1. Make Up, Ornaments & Dress  (Part1) __Bharat Natyam
    2. Make Up, Ornaments & Dress  (Part 2) __Bharat Natyam

    Classical Dance

    Hasta Mudra
    1. Hasta Mudra (Hand Gestures) Part 1 Asamyukta Mudra
    2. Hasta Mudra (Hand Gestures) Part 2 -  Samyukta Mudra
    3. Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta
    4. Hasta Mudra (Hand Gestures) Part 4 - Navagraha Hasta
    5.  Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta
    6. Hasta Mudra (Hand Gestures) Part 6 - Naadi Hasta
    7. Hasta Mudra (Hand Gestures) Part 7 - Raja Hasta
    8. Hasta Mudra (Hand Gestures) Part 8 - Patanga Hasta
    9. Hasta Mudra (Hand Gestures) Part 9 - Jantu  Hasta
    10. Hasta Mudra (Hand Gestures) Part 10 -  Dashavataram Hasta
    11. Hasta Mudra (Hand Gestures) Part 11 - Naadi Hasta ( Rivers & Oceans)
    12. Hasta Mudra (Hand Gestures) Part 12 AsamyuktaMudra__Pataka Hasta Viniyoga
    13. Hasta Mudra (Hand Gestures) Part 13 AsamyuktaMudra__Triataka Hasta Viniyoga 
    14. Hasta Mudra (Hand Gestures) Part 14 AsamyuktaMudra__Ardhaataka Hasta Viniyoga
    15. Kartarimukham Hasta Mudra (Hand Gestures) Part 15 AsamyuktaMudra
    16. Mayuram Hasta Mudra (Hand Gestures) Part 16 AsamyuktaMudra
    17. Ardhachandra Hasta Mudra (Hand Gestures) Part 17 AsamyuktaMudra
    18. Arala Hasta Mudra (Hand Gestures) Part 18 AsamyuktaMudra
    19. Sukhotandu Hasta Mudra (Hand Gestures) Part 19 AsamyuktaMudra
    20. Mushti Hasta Mudra (Hand Gestures) Part 20 AsamyuktaMudra
    21. Shikara Hasta Mudra (Hand Gestures) Part 21 AsamyuktaMudra

    Story Series
    1. Story Series Part 1:  Story of Andal and Tirumala
    2.  Godessess Meenakshi (Story of Madurai)  ___Story Series Part 2 
    3.  Ardhanarishswara_ The story of half man and half woman ___  Story Series Part 3
    4. Kanyakumari, the Virgin Godessess ___Story Series Part 4
    5. Markandaya, the one who won death ___ Story Series Part 5
    6. Damayanti, the Asura Princess ___Story Series Part 6
    7. Untold Unpopular stories of Krishna  ___ Story Series Part 7
    8. When it all began, The story of Naras ____ Story Series Part 8
    9.  When Bhrama and Vishnu fought ___ Story Series Part 9

    Abhinaya Series
    1. Abhinaya Part 1 -- Types of Abhinaya
    2. Abhinaya - Part 2  Practical Techniques
    3. Abhinaya  - Part 3  NavaRasa (Introduction )
    4. Abhinaya  - Part 4  NavaRasa (Techniques)
    5. Abhinaya  - Part 5  NavaRasa (Stories based on Devi )
    6. Abhinaya  - Part 6  NavaRasa (Stories based on Krishna's Life)
    7. Abhinaya  - Part 7  NavaRasa ( Stories based on Rama's Life

    Natyashastra Series
    1. Shira Bheda ( Head Movement)
    2. Greeva Bheda ( Neck Movement)
    3. Urah Bheda ( Chest/ Breast Movement)
    4.  Parshava Bheda ( Movement)
    5. Udaram Bheda ( Stomach Movement)
    6. Kati Bheda (  Movement)
    7. Pada Bheda ( Movement of the legs)

    Sangeet Damodara Series




    Shivatatva Ratnakara 





    Taalam Series

    Style of Bharatnatyam [ Bani] Series



    Nrityashree_Dance in the light of Life Episode 1 
    Nrityashree_Dance in the light of Life Episode 2
    Nrityashree_Dance in the light of Life Episode 3
    Nrityashree_Dance in the light of Life Episode 4
    Nrityashree_Dance in the light of Life Episode 5
    Nrityashree_Dance in the light of Life Episode 6
    Nrityashree_Dance in the light of Life Episode 7
    Nrityashree_Dance in the light of Life Episode 8
    Nrityashree_Dance in the light of Life Episode 9
    Nrityashree_Dance in the light of Life Episode 10



Comments

Post a Comment

Popular posts from this blog

Natya Shasatra _Slokas

-
Image
Artist : Shilpi Nandi  "The joy of dance can not be explained or taught. It has to be experienced."  Following are the first few slokas of Natya Shastra. Pranamya Shirasa Devou Pithamaha Maheswarou Natyashastram Pravaksyami  Brahamanaya Duthahrutham     I bow my head to Pitamaha (Brahma – the creator) and Maheswara(Lord Siva – the creator of dance) and reveal the science of dance, drama and music (Natyasastra) as it was taught to me  by Lord Brahma. (Bharata Muni states) Devadanaam Shirasthasthu  Gurunamasya samsthithaha  Vakshasthaschaiva vipranaam   Sheshethwa niyamo bhaved     I seek blesssings and offer prayers( with Anjali hasta ) hands placed above the head for the Gods, at the forehead for the Guru’s, in front of the chest for all the elders and for all others there is no special rules. This is the basic rule for all the Indian classical dance forms of India and is commonly followed in the entire...
Read more

Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

-
Image
Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage.  Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called  Deva Hastas and AshtaDikpal Hastas.    Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the e...
Read more

Hasta Mudra (Hand Gestures) Part 1 Asamyukta Mudra

-
Image
                                 Hand gestures in dance is called Mudra. These are also known as Hasta or Hasta Mudra.  Mudra or these hand gestures are the alphabets of dance. each and every mudra denotes specific meaning. With proper usage of these mudra one can narrate stories. Now with two hands there are two types of hand gestures. They are  ---  Asamyukta Mudra and Samyukta Mudra Asamyukta Mudra   : These are the one hand gestures. When the mudra is performed with only one hand, its called Asamyukta Mudra. There are 28 Asamyukta hasta as per Natya Shastra. These can further be divided into 3 broad groups. they are illustrated below. Pataka : This is the first Asamyukta hasta. All the four fingers (except the thumb) are stretched and placed straight together. The thumb is bent. Pataka is used for showing Flag, Blade, Sword, Blessing, Road etc. Tripitaka : While do...
Read more