Skip to main content

Hasta Mudra (Hand Gestures) Part 2 - Samyukta Mudra


Samyukta mudra are double hand gestures as in both the hands are used for  performing these. Once all the Asamyukta Mudras are learnt by the students only then they should be introduced to the Samyukta mudra. As per Natya Shastra there are following Samyukta Mudras.

                                                        
Name
Mudras
Usage
Anjali Hasta
Hold Pataka in both
the hands & join the palms to show
Anjali Hasta.
To salute God, teacher & learned hold the Anjali above the head, in front of the face  chest
Kapota Hasta
In Anjali Hasta, only the borders of the hands are Joined (Palm not to touch one another)
To make promise, Speak to the teacher, To be Polite,agree this
hasta is used.
Karkata Hasta
Bring the fingers of both the hands between one another
To show Crowd, thick articles, blowing  sankha etching limbs, bending branches of a tree this hasta
is used
Swastika Hasta
Hold Pataka Hands & cross the hands at the wrist so that
the hands are opposite direction
To show Aligater, to Talk in fear, to Argument and to praise

Dola Hasta
Hold Pataka Hasta, stretch the arms & keep the hasta upside down along the hip line
This hasta is used in the beginning of a dance
Pushpaputa Hasta
Hold Sarpasheersha in both the hands & join them at the wrist 
To show Lamp Offering, Children, Accept Fruits Offering to the Sun in the evenings, Chant Holy prayers
Utsanga Hasta

Hold Mrugasheersha Hasta in boh the hands, cross the hands, touch opposite shoulders 
To Embrace, To show shyness, To show one's body  To deciplinne children 
Shivalinga Hasta
Hold Ardhachandra Hasta in the left hand(palm up), keep
shikhara Hasta in right hand & place it on the left hand
used to show Shivalinga (Lord Shiva
Katakavardhana Hasta

Hold Katakamukha Hasta in both hands, cross the hands at the wrist
To show Coronation, To worship and to show weddings

Kartareeswastika Hasta

Hold Kartareemukha Hasta in both t
he hands & cross the hands at the wrist
To show the branches of a tree, tip of Mountains, Trees

Shakata
Leave the thumb & the middle fingers in
Bhramara Hasta Hold like this in both the hands & cross at the wrist Another way of showing Shakata Hasta is to
cross the Arala Hastas at the wrist.
used to show Demon
s.

Shanka Hasta
Hold the Left thumb with the last three fingers of the right
hand, stretch the other fingers of the left hand, stretch & touch the thumb, index fingers of the right hand with the
stretched fingers of the left hand
This hasta is used to show Conch.
Chakra Hasta

Hold Ardhachandra hasta in both the hands, place them one above the other in rotating motion 
used to show Chakra, the weapon of Lord Vishnu.

Samputa Hasta

Hold Chakra Hasta, fold the thumb & little fingers in both the hands
To cover things and to show the   sacred box
Paasha Hasta

Hold Suchi Hasta in both hands, bend the index finger a little & join these fingers like a chain to show Paasha
show Playful Quarrel, Rope, Chains this hasta is used
Keelaka Hasta

Hold Mrugasheersha Hasta in both hands, bend the little finger a little & join these fingers like a chain 
To show friendly talk this hasta is used
Matsya Hasta

Hold Pataka hasta in both the hands, place them one above the other, stretch the thumb a bit (like fins of fish)
To show Fish
Koorma Hasta

Opposite of Chakra Hasta is Koorma Hasta i.e Stretch the thumb & little fingers & fold the other fingers 
This Hasta is used to show Turtle, Tortoise
Varaha Hasta

Hold Mrugasheersha hasta in both hands, place them one
above the other to show Varaha Hasta

This Hasta is used to Show Boar (Wild Pig)

Garuda Hasta

Hold Ardhachandra in both the hands, turn them & hold
them with the thumbs
This Hasta is used to show a bird called Garuda
Nagabandha Hasta

Sarpasheersha in both the hands & cross them at the wrist
To show Snakes, Creeper Chamber and to show Atharvana Veda Shlokas

Khatva Hasta

Hold Chatura Hasta in both hands, place the hands one above the other, stretch the index fingers down
used to show Bed
Bherundha Hasta

Hold Kapitha Hasta & cross them at the wrist
show a bird couple called Bherundha
Avahittha Hasta

Hold Alapadma in both the hands, cross them at the wrist,
place them near chest to show Avahitha Hasta
To show Love, Catching the
ball Breasts Avahittha Hasta is used.




The Natyashastra Slokam relating to the usage of these Hastas are tabulated below. It is definitely an interesting part of learning dance.
Name
Slokam
Anjali Hasta
Devataguru Vipranaam Namaskare yanukramat

Karyasshiromukhorassu Viniyojyonjalikaraha
Kapota Hasta
Pramaana Gurusambhasha Viniyogeekrutishwayam
Karkata Hasta
Samohadarshanetundadarshane sankhaporane
Angaanamotanesakhonnamanecha niyujyate str
Swastika Hasta
Samyogena Swastikakhyo Makararthe Niyujyate
Bhayavade Vivadecha Keertane Swastikobhavet


Dola Hasta
Naa tyarambhe Prayoktavya Iti Natyavidovidhuhu
Pushpaputa Hasta
Neerajanavidhou Baala Phaladigrahane tatha
Sandhyayaamarghyadanecha Mantrapushpe Niyojayet

Utsanga Hasta

Aalinganecha Lajjayaam Angadaadipradarshane
Baalaanaamshikshanechaayam Utsango Yujyatekaraha

Shivalinga Hasta
Viniyogastutatsyva Shivalingapradarshane
Katakavardhana Hasta

Pattabhisheke Poojayam Vivahadishu Yujyate

Kartareeswastika Hasta

Shakhaasucha Adri Shikhare Vruksheshucha Niyujyate

Shakata

Raakshasaabhinayechaayam Niyukto Bharatadibhihi

Shanka Hasta
Shankhaadishuniyujyoya Mityevam Bharataadayaha

Chakra Hasta

.
Chakrahastassa vigneya chakrarthe viniyuj
yate

Samputa Hasta

Vastvaacchchade Samputecha Samputahkara Eeritaha

Paasha Hasta

Anyonyakalahe Paashe Shynkhalaayaam Niyujyate
Keelaka Hasta

Snehecha Narmalaapecha Viniyogosya Sammataha
Matsya Hasta

Etasya Viniyogastu Matsyarthe Sammatobhavet

Koorma Hasta

Koormahastasyavigneyaha Koormarthe Viniyujyate

Varaha Hasta

Etasyaviniyogastu Varaharthe tu Yujyate
Garuda Hasta

Garudo Garudarthe cha Yujyate Baratagame

Nagabandha Hasta

Bhujagadamp
atee Bhaave Nikunchanaamcha darshane
Athrvanasya mantreshu Yojyo Bharatakovidhihi


Khatva Hasta

Khatvahastobhavedeshaha Khatvaadishu Niyujyate

Bherundha Hasta

Bherundhapakshi Dampatyorbherundhaka Eteerita
ha

Avahittha Hasta

Srungara Natanechiva Leelaa Kandukadharane
Kucharthe Yujyate Soyamavahitthakaraabhidhaha

Comments

Popular search

Angalakshana Part 1 - Anga Pratyanga & Upanga

 The science of dance was extremely well developed in ancient India. The word  Angalakshana  refers to the way of moving the body parts. In order to understand the concept and to perform Angalakshana, one has to understand and practice the categorization of the human body.  Types of Angalakshanam are written below. We will in-turn look at each of the Angalakshana in detail. Each and every student had to understand and practice this on a daily basis. Only after the mastering these, the Gurus would move towards teaching the students the dance numbers. Anga Pratyanga Upanga As per ancient Hindu practices, a human body or Sharera is taken as an inverted tree where the roots are at the top rather than at the bottom.  Both Charaka Samhita and Sushrut Samhita (the first known book on medicines written by Sushrut around 400 BC) talks about dividing the human body into 3 main divisions viz. Anga, Upanga and Pratyanga.  Charaka also proved the co relation of spirituality and physical health c

Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage.  Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called  Deva Hastas and AshtaDikpal Hastas.    Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the ear) 4.

Natya Shasatra _Slokas

Artist : Shilpi Nandi  "The joy of dance can not be explained or taught. It has to be experienced."  Following are the first few slokas of Natya Shastra. Pranamya Shirasa Devou Pithamaha Maheswarou Natyashastram Pravaksyami  Brahamanaya Duthahrutham     I bow my head to Pitamaha (Brahma – the creator) and Maheswara(Lord Siva – the creator of dance) and reveal the science of dance, drama and music (Natyasastra) as it was taught to me  by Lord Brahma. (Bharata Muni states) Devadanaam Shirasthasthu  Gurunamasya samsthithaha  Vakshasthaschaiva vipranaam   Sheshethwa niyamo bhaved     I seek blesssings and offer prayers( with Anjali hasta ) hands placed above the head for the Gods, at the forehead for the Guru’s, in front of the chest for all the elders and for all others there is no special rules. This is the basic rule for all the Indian classical dance forms of India and is commonly followed in the entire south east Asia. Vishnu shakthi samuthpannae 

Hasta Mudra (Hand Gestures) Part 12 - Jaati Hasta or Varna Hastas

Since Pre - historic times, Indian society had a complex, inter- dependent and co operative political economy where each individual had a specific role to play in uplifting the society and human welfare. The caste system in ancient India was followed with precise order and instructions. One can go on and on about the intricacies of the Caste System in India. Many research in modern times have been conducted on the caste systems. For centuries, caste dictated each and every aspect of Hindu life with each group occupying a specific place in the complex hierarchy. Earliest mention of the caste system in ancient India can be found in Manusanhita (1000 years before Christ), a book written by King Manu who ruled South India and have said to migrated to North India. Jaati Hastas are very common in Indian classical dance compositions. While composing a dance drama it becomes very important to depict the characters with the help of these Hastas. These hastas in co ordination of the body

Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement

              Drishthi in Sanskrit literary meaning “Vision”. In relation to our eyes it means “sight” or “to see”. The classification of these eye movements are based on how we move the eye balls. In fact we use each of them in our every day routine. Just a matter of identifying with their names. There are eight types of Eye movements given in Natyashastras. 1. S ama : Eye kept still without any movement,Eveness of eye where the eyes are kept still. Usage : Depicting GOD,peace, pride 2. Alokita : Rolling your eye balls in a circular pattern. Usage : Showing fear. 3. Saachi : Looking through the corner of the eyes. Usage : Looking at rivals, competitors, showing shyness. 4. Pralokita : moving your eyes side to side.  Usage : taking a peak on someone. 5. Nimilita : It looks like a half shut eye. Here one tries to focus the eye ball towards the heart. Usage : Meditation, sages, showing the meditative state of Gods, Peace 6. Ullokita : Looking upwards. Usage : Showing sky, God,

Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta

Bandhava Hasta means the hand gestures that reflects the relationship. These are very important for dance compositions. These are also known as Bandhu Hastas. As per Abhinaya Darpana There are 11 Bandhava Hastas. They are as follow   Dampati Hasta   : It means married couples.This is denoted with Shikhara in left and Mrigashisya in right hand.  Matru :  Matru or mother is depicted by holding Ardhachandra in left hand near stomach(turned over) and Samdamsam in right hand. Pitru : Pitru or father is depicted by holding Ardhachandra held near stomach in the left hand and Shikhara in the right hand Sodra : Sodara means Brother. Elder brother is depicted by Myura is both the hands in front of the belly. Younger brother is shown by Mayura hands on both the sides. Putra : Putra or Son is depicted by Shikhara in left and Samdam in right held near the belly and then moved in a circular way. Snusha : Means Daughter -in - law and is depicted by showing Putra hasta and then Mrigashi