Angalakshana Part 2 - Shiro Bhedam or Head Movements

Head movements are called Shirobheda. Shira or shirasa means “Head” in ancient Sanskrit. The head movements refer to the head positions, while expressing a particular bhava. There are Nine head movements. In fact each of the Nava Rasas are described with particular head movements.
It is extremely important for a dancer to understand these details as it will help in properly holding the postures. This should be practiced everyday as warm up before starting with Margam. These neck and head exercises along with the other Upanga, Pratanga and Anga practices forms the preparatory steps for the hard practices sessions later.

ShiroBheda as per AbhinayaDarpana

Sama : The head kept straight. As the same suggests it means equal. Usage: Every time a dance is started. It is also used for looking or searching ahead.
Udvahitam : Head looking upwards. Usage : showing Gods, sky, elevated beings.
Adhomukham : Looking down. Usage : Depicting shyness, guilty, sleepiness.
Alolitam: Circular movement of the head. Usage : Depicting grief, dizziness.
Dhutam: Right to left or side to side movement of the head. Usage : Negating, saying no, looking sideways life that of thief.
Kampitam: Up and down nod of the head. Usage : Depicting revenge, understanding.
Paravrittam: Brisk/forcefully turning of the head to the right or left or left to right. Usage : Saying no, showing anger.
Ukshiptam: Head is turned and raised or a slanting or tilted (upward) position of the head. Usage : Thinking, dreaming.
Parivahittam: Quick small shakes or wavy movement of the head. Usage : Satisfaction,gently agreeing

Slokam on Shiro Bhedam ( Abhinaya Darpana)

Sama udvahitam adhomukha-lolitam Dhutam
kampitam cha paravrittam ukshiptam parivahitam
navdhakathitam shirasa natyashastra visharadaihi.

Slokam on Shiro Bhedam ( Natyashastra)

Akampitam Kampitamm cha Dhutam Vidhutameva Cha

Parivahitodvahitakama Vadhutam tatha Anchitam

Nihanchitam Paravrittamuktksiptam chapyAdhogatam

Lolitham caiva Vijneyam trayodasavidham Siraha

1. Akampitam Nodding the head slowly from above to below (Ordering, nodding,)

2. Kampitam Nodding the head from above to below rapidly (Understanding, asserting)

3. Dhuta The head is turned slowly from side to side (Confidence forbidding)

4. Vidhuta Dhuta is quickly and repeatedly done (Terror, panic)

5. Parivahita Moving the head from side to side to form a sleeping 8 (Joy,surprise)

6. Udvahita Sideway the head is put up (Pride, Bravery, looking up)

7. Avadhuta Head lowered side ways (Invoke a diety, asking someone to come near)

8. Anchita Head tilted on one side with face in front (Intoxication, fainting)

9. Nihanchita The two shoulders are raised up and the head is pressed in (Anger (show off), paralysis)

10. Paravritta Head turned away and backward (Looking back, Turning away)

11. Ukshipta Head is pushed back so that the face looks at sky (Before using the divine weapon)

12. Adhogata The face is put down with chin tugged in (Shame, Sorrow)

13. Lolitha / Parilolita Head rolled in all direction (Sickness, Fainting)

Introduction
Chatur Slokam --- BharatNatyam for Kids
Make Up, Ornaments & Dress (Part1) __Bharat Natyam
Angalakshana Part 1 - Anga Pratyanga & Upanga
Angalakshana Part 2 - Shiro Bhedam or Head Movements
Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement
Hasta Mudra (Hand Gestures) Part 10 - Dashavataram Hasta

Note : Drop your queries or suggestions at sangeetkalakendra1@gmail.com
Visit our Facebook page : https://www.facebook.com/Sangeet-Kala-Kendra-1461430557205352/

Comments

Popular search

Angalakshana Part 1 - Anga Pratyanga & Upanga

The science of dance was extremely well developed in ancient India. The word Angalakshana refers to the way of moving the body parts. In order to understand the concept and to perform Angalakshana, one has to understand and practice the categorization of the human body. Types of Angalakshanam are written below. We will in-turn look at each of the Angalakshana in detail. Each and every student had to understand and practice this on a daily basis. Only after the mastering these, the Gurus would move towards teaching the students the dance numbers. Anga Pratyanga Upanga As per ancient Hindu practices, a human body or Sharera is taken as an inverted tree where the roots are at the top rather than at the bottom. Both Charaka Samhita and Sushrut Samhita (the first known book on medicines written by Sushrut around 400 BC) talks about dividing the human body into 3 main divisions viz. Anga, Upanga and Pratyanga. Charaka also proved the co relation of spiri...

Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage. Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called Deva Hastas and AshtaDikpal Hastas. Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the e...

Natya Shasatra _Slokas

Artist : Shilpi Nandi "The joy of dance can not be explained or taught. It has to be experienced." Following are the first few slokas of Natya Shastra. Pranamya Shirasa Devou Pithamaha Maheswarou Natyashastram Pravaksyami Brahamanaya Duthahrutham I bow my head to Pitamaha (Brahma – the creator) and Maheswara(Lord Siva – the creator of dance) and reveal the science of dance, drama and music (Natyasastra) as it was taught to me by Lord Brahma. (Bharata Muni states) Devadanaam Shirasthasthu Gurunamasya samsthithaha Vakshasthaschaiva vipranaam Sheshethwa niyamo bhaved I seek blesssings and offer prayers( with Anjali hasta ) hands placed above the head for the Gods, at the forehead for the Guru’s, in front of the chest for all the elders and for all others there is no special rules. This is the basic rule for all the Indian classical dance forms of India and is commonly followed in the entire...

Hasta Mudra (Hand Gestures) Part 12 - Jaati Hasta or Varna Hastas

Since Pre - historic times, Indian society had a complex, inter- dependent and co operative political economy where each individual had a specific role to play in uplifting the society and human welfare. The caste system in ancient India was followed with precise order and instructions. One can go on and on about the intricacies of the Caste System in India. Many research in modern times have been conducted on the caste systems. For centuries, caste dictated each and every aspect of Hindu life with each group occupying a specific place in the complex hierarchy. Earliest mention of the caste system in ancient India can be found in Manusanhita (1000 years before Christ), a book written by King Manu who ruled South India and have said to migrated to North India. Jaati Hastas are very common in Indian classical dance compositions. While composing a dance drama it becomes very important to depict the characters with the help of these Hastas. These hastas in co ordination of the body...

Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement

Drishthi in Sanskrit literary meaning “Vision”. In relation to our eyes it means “sight” or “to see”. The classification of these eye movements are based on how we move the eye balls. In fact we use each of them in our every day routine. Just a matter of identifying with their names. There are eight types of Eye movements given in Natyashastras. 1. S ama : Eye kept still without any movement,Eveness of eye where the eyes are kept still. Usage : Depicting GOD,peace, pride 2. Alokita : Rolling your eye balls in a circular pattern. Usage : Showing fear. 3. Saachi : Looking through the corner of the eyes. Usage : Looking at rivals, competitors, showing shyness. 4. Pralokita : moving your eyes side to side. Usage : taking a peak on someone. 5. Nimilita : It looks like a half shut eye. Here one tries to focus the eye ball towards the heart. Usage : Meditation, sages, showing the meditative state of Gods, Peace 6. Ullokita : Loo...

Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta

Bandhava Hasta means the hand gestures that reflects the relationship. These are very important for dance compositions. These are also known as Bandhu Hastas. As per Abhinaya Darpana There are 11 Bandhava Hastas. They are as follow Dampati Hasta : It means married couples.This is denoted with Shikhara in left and Mrigashisya in right hand. Matru : Matru or mother is depicted by holding Ardhachandra in left hand near stomach(turned over) and Samdamsam in right hand. Pitru : Pitru or father is depicted by holding Ardhachandra held near stomach in the left hand and Shikhara in the right hand Sodra : Sodara means Brother. Elder brother is depicted by Myura is both the hands in front of the belly. Younger brother is shown by Mayura hands on both the sides. Putra : Putra or Son is depicted by Shikhara in left and Samdam in right held near the belly and then moved in a circular way. Snusha : Means Daughter -in - law and is depicted by showing Putra hast...

SangeetKalaKendraKolkata

Search This Blog