Angalakshana Part 4 - Greeva Bhedam or Neck Movements

Greeva or the neck forms an important part of the body which helps a lot in Abhinaya. It is very important to learn all the Greeva bhedam and to use them in dance according to the songs.

*Greeva Bhedam as per Natyashastra*
No.	Name	Explanation	Use
1.	Sama	Natural Position	Meditation, Natyarambham, Muttering
2.	Nata	Face bent down	Wearing ornaments, putting one’s arm around
3.	Unnata	Face upturned	Showing necklace, looking toward the road
4.	Tryasra	Neck with face turned sideways	Carrying weight
5.	Recita	Neck shaken or moved	Bhava, churning
6.	Kuncita	Neck with head turned back	Protecting the neck, Pressure on the neck
7.	Ancita	Neck with head turned back	Hanging, arranging hair, looking up
8.	Vahita	Neck with head turned sideways	Looking with the head turned around
9.	Nivrtta	Neck with face in front	Going towards a place

Slokam

Atahparanpravaksyamigreevharmanivaidvijah| Sama natonnatahtryasrarecitakuncitancita || Valita ca nivrtta ca greevhanavavidharthatah |

*Greeva Bhedam as per Abhinaydarpana*
No.	Name	Explanation	Use
1.	Sundari	Moving the neck from side to side	Beautiful, Sringara, Beginning of friendship, Understanding, well done, charm, Recollection, Feeling pleasure
2.	Tiraschina	Upward movement of the neck just like a snake or Drawing a “V” with your chin	Brandishing of a sword, showing snake
3.	Parivartitaha	Moving the chin from shoulder to shoulder to show half moon	Erotic Dance, Sringara, Kissing both the cheeks
4.	Prakampitah	Moving the neck forward and backward	Saying you and I, Swinging, Inarticuate murmuring, Cooing produced as if in sexual ecstasy

Slokam

Sundarisca tiraschinatathaiva Parivartita | Prakampita cha bhavange gyana greeva chatur vidhya ||

Other Links
Introduction
Chatur Slokam --- BharatNatyam for Kids
Make Up, Ornaments & Dress (Part1) __Bharat Natyam
Angalakshana Part 1 - Anga Pratyanga & Upanga
Angalakshana Part 2 - Shiro Bhedam or Head Movements
Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement
Hasta Mudra (Hand Gestures) Part 10 - Dashavataram Hasta

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Angalakshana Part 1 - Anga Pratyanga & Upanga

The science of dance was extremely well developed in ancient India. The word Angalakshana refers to the way of moving the body parts. In order to understand the concept and to perform Angalakshana, one has to understand and practice the categorization of the human body. Types of Angalakshanam are written below. We will in-turn look at each of the Angalakshana in detail. Each and every student had to understand and practice this on a daily basis. Only after the mastering these, the Gurus would move towards teaching the students the dance numbers. Anga Pratyanga Upanga As per ancient Hindu practices, a human body or Sharera is taken as an inverted tree where the roots are at the top rather than at the bottom. Both Charaka Samhita and Sushrut Samhita (the first known book on medicines written by Sushrut around 400 BC) talks about dividing the human body into 3 main divisions viz. Anga, Upanga and Pratyanga. Charaka also proved the co relation of spirituality and physical health c

Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage. Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called Deva Hastas and AshtaDikpal Hastas. Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the ear) 4.

Natya Shasatra _Slokas

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Hasta Mudra (Hand Gestures) Part 12 - Jaati Hasta or Varna Hastas

Since Pre - historic times, Indian society had a complex, inter- dependent and co operative political economy where each individual had a specific role to play in uplifting the society and human welfare. The caste system in ancient India was followed with precise order and instructions. One can go on and on about the intricacies of the Caste System in India. Many research in modern times have been conducted on the caste systems. For centuries, caste dictated each and every aspect of Hindu life with each group occupying a specific place in the complex hierarchy. Earliest mention of the caste system in ancient India can be found in Manusanhita (1000 years before Christ), a book written by King Manu who ruled South India and have said to migrated to North India. Jaati Hastas are very common in Indian classical dance compositions. While composing a dance drama it becomes very important to depict the characters with the help of these Hastas. These hastas in co ordination of the body

Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement

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Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta

Bandhava Hasta means the hand gestures that reflects the relationship. These are very important for dance compositions. These are also known as Bandhu Hastas. As per Abhinaya Darpana There are 11 Bandhava Hastas. They are as follow Dampati Hasta : It means married couples.This is denoted with Shikhara in left and Mrigashisya in right hand. Matru : Matru or mother is depicted by holding Ardhachandra in left hand near stomach(turned over) and Samdamsam in right hand. Pitru : Pitru or father is depicted by holding Ardhachandra held near stomach in the left hand and Shikhara in the right hand Sodra : Sodara means Brother. Elder brother is depicted by Myura is both the hands in front of the belly. Younger brother is shown by Mayura hands on both the sides. Putra : Putra or Son is depicted by Shikhara in left and Samdam in right held near the belly and then moved in a circular way. Snusha : Means Daughter -in - law and is depicted by showing Putra hasta and then Mrigashi

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