SangeetKalaKendraKolkata

Lord Shiva performed at Madurai Temple (after being invited by Rishi Patranjali. It is there that Shiva hold the Abhay mudra in left hand.    Lord Nataraja is the world’s best dancer and the icon of the dramatic art as per Hinduisim. He is the first know  Yogi as well as being a cosmic dancer. The entire world is his stage where he performs. Every dancer before taking the stage  Nataraja . His form of dance is the Tandava style  which he performs along with his consort Parvathi, who is the creator of Lasya form of dance.  The mighty Himalayas is his abode.   Historical Facts :      The first known stone statue of Lord Nataraja are the stone structures found in the  The oldest know statue of Lord Nataraja is the 10 th Century bronze statue of Chola period found in southern India.  This is the most famous pose of Lord Nataraja and even today, this pose is used by the dancers across south east asia.   T...

  1.        Kanchipuram Bani : Much less known than its counterparts, Kanchipuram Bani abides to the   line of “AsyenaalambayethGeetham “, As mentioned in Natyakarnam, both the vocalists and the performers reciets the lyrics of the song while performing the abhinaya. Though this practice is hardly seen now a days. Blend of intricate rythemic patterns with the graceful abhinaya, showing the grace of the dancer’s body as well as portraying the sculptures of Ekambareshwara temple, this Bani is very interesting. Sri EllapaMudaliyar is well know for his rythmn synchronization and musical fluidity along with analysis of raga structure and swarastanams. Ellappa was kandappa‟s cousin. Ellappa had been Kandappa‟s assistant for Several years. His home in Mambalam attracted the likes of Ram Gopal, the internationally famous dancer, and a host of French girls who made Madras their dance-home. He was a skilful teacher and a great singer. Ellappa accompanied B...

  1.        Mysore Bani : Features : Abhinaya presents the lyrical beauty of the saint composures and poets. Its certain multitudinous and has special effects. Even in the Adavus the lyrical beauty can be seen. Hence lots of stress was given on how the sollus were narrated and how the songs were sung.   Flowery hand gestures are very impressive. Dancerspreffer using more of allapadmaincomparison to Pataka, Tripataka and Katakhamukham.   One of the things that is distinctive about mysore Bani is that they started using Ashtapadi much before other Banis started using them. Mysore court sponsored the musicianas and the dancers.Chinnaiya lived at the court for some years and contributed a lot to this style. Most of the items that were performed were of the Tanjore Quartet   Famous Dancers/Gurus   :Nagamani, C. Radhakrishnan, Kesha Murthy, PadmabhusanaDr. K Venkateshlakshman. PadminiShreedhara, PulakeshiKasturi, Veena Sridhar, D. ...

  Defination and Meaning of Bani The word Bani or Pani (in Tamil) can loosely be translated as “Schools of Dance”.   Over a period of 2 centuries (1800- 2000) different styles of Bharatnatyam has evolved and each of these styles have its own distinctive characteristics. While the form, music and overall appearance remains same, each region developed its own characteristics and special stylisation. So Banis can be defined as “Individual traits that are given by generationsof Gurus and is established by the number of students and popularity of the same style “.   The dance lineage that the dancer inherits is important for any Bani.   The qualities that make each Bani distinctive from the other comes from the individualistic manner in which the dance alphabets are woven together. The specific ways in which the techniques are interpreted and not least from the aesthetic principals, ideas ,perceptions and artistic vision of the Gurus who shape the Bani and nourish there...

  1.        PandanallurBani :Many 1 st generation star dancers went to Pandanallur village to learn. This style has diverse Adavu patterns and has worked and stylised techniques. Emphasis was given on symmetry and harmony, complex rhythmic pattern, intense musicality, purity and precision of rekhas. The dancers gave away the excess of body movements and melo drama concentrating on the purity and subtlety of the dance itself. The abhinaya was purely Natyadharmi.Slow progression and evolution of the techniques were the main features. Wide swipe of arm, clarity of hastas, controlled emotional quotient was the main moto.   Dragging the Sancharis was not done atall. The items and the dance dramas were crisps. Lots of importance was given to the content rather than excess drama.Vulgarity in any form during abhinaya and excessive acrobatic movements during nritta was kind of prohibited.Araimandi and AngaSudhiwas given lot of priority. Too much of Utplav...