Different Style of BharatNatyam (Part2) -- Tanjavur Bani
1. Tanjavur Bani : Bharatnatyam seems to have originated from the cultural capital of Tamil land , Tanjore. The Tanjavur Quartet (Ponniah 1804 -1864. Chinnayaa 1802 -1856, Vadivelu 1810 -1845 and Sivanandam 1808 -1863 ) under the patronage of Seffoji Court (Maratha Kings) constructed the margam and did many compositions that forms the basic structure of Bharatnatyam today. These 4 brothers learnt music from the great saint poet MuthuswamyDikshitha. They adorned the different courts of South India. For Example : moved to Mysore Court under the shelter of Woodiyar kings. They are the ones who set the Margam as we know today. They composed many Allaripus, Jatiswaram, Kautuvams, Sabdams, Varnams, Padams, Javelis, Kirtanais and Tillanas. It is because of there creativity, Innovations and intelligence lot of artistic changes were seen in the sadir dance. There foresightedness is awestuckking as there compositions are popular even today.
Relaxed dance choreography makes this style a visual pleasure. Music is given lot of Importance. Adavus patterns are used extremely casually and in relaxed way with full body swing that bring out the grace of the dancer’s body. Kittapa Pillai while composing the jaatisused various musical patterns to make it interestings. The sanchari bhava that were composed by him were more of Vacchikabhinayathan Angikabhinaya. The audio-visual qualities of this Bani stuck many at the right chord. Rythemicaspect of the words were given lots of importance. The Jaatis never sounded complicated or too long however different combinations of the panchajaatis were used. It is believed that the Dance has to be both a Audio and Visual pleasure. Kanddapa Pillai from Thanjavur Bani had a distinctive way of composing and Choreographing. He implemented his own style.
Famous Dancers/ Gurus :Balasaraswati, Dhannamal, Nayana. ThanjavurKittappaPillai (1913 – 1999) decendent of Tanjavur Quartet learned music from Natesha IyerShastri and his father Ponnaiya Pillai dance from maternal grand fatherMeenakshisundaram Pillai. Vaijayanti Mala Bali, Millappa Pillai, SuchetaChapekar,Nartaki Natarajan, SudharaniRaghupai, Padmini Rao, Srividhya NATARAJAN, Hari Krishnan.
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- Natya Shastra _Slokas
- NatyaShastra (Part 1) --- The story of the Beginning of Dance & Drama
- Natya Shastra (Part 2) - Common Mistakes & Promise
- Natya Shastra ( Part 3)-- Birth of Apsaras
- NatyaShastra(Part 4) -- Bharata Muni
- NatyaShastra (Part 5) --- The Problem & Its Solution
- Chatur Sloka
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- Make Up, Ornaments & Dress (Part 2) __Bharat Natyam
- Classical Dances of India_Introduction Part1
- Classical Dances of India - Part 2 Kuchipudi
- Manipuri Classical Dances of India Part 3
- Orissi -- Classical Dances of India Part 4
- Kathakali -- Classical Dances of India Part 5
- Mohiniattam Classical Dances of India Part 6
- Kathak - Classical Dances of India Part 7
- Sattriya Classical Dances of India Part 8
Margam- Margam Part 1
- Allaripu
- Jatiswaram
- Shabdam
- Varnam
- Padam
- Kirtanam
- Tillana
- Mangalam
- Javeli
- Ashtapadi
- Malhari
- Pushpanjali
- Kavutham
- Adavu (Tatta Adavu Natta Adavu)
Angalakshana- Angalakshana Part 1 - Anga Pratyanga & Upanga
- Angalakshana Part 2 - Shiro Bhedam or Head Movements
- Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement
- Angalakshana Part 4 - Greeva Bhedam or Neck Movements
- Angalakshana Part 5 - Pada Bhedam or Leg Movements
- Angalakshana Part 6 - Mandalas
- Angalakshana Part 7 - Utplavana (the Jumps)
- Angalakshana Part 8 - Bhramari (The Turns)
- Angalakshana Part 9 - Paadachari & Gati Bhedam
Hasta Mudra- Hasta Mudra (Hand Gestures) Part 1 Asamyukta Mudra
- Hasta Mudra (Hand Gestures) Part 2 - Samyukta Mudra
- Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta
- Hasta Mudra (Hand Gestures) Part 4 - Navagraha Hasta
- Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta
- Hasta Mudra (Hand Gestures) Part 6 - Naadi Hasta
- Hasta Mudra (Hand Gestures) Part 7 - Raja Hasta
- Hasta Mudra (Hand Gestures) Part 8 - Patanga Hasta
- Hasta Mudra (Hand Gestures) Part 9 - Jantu Hasta
- Hasta Mudra (Hand Gestures) Part 10 - Dashavataram Hasta
- Hasta Mudra (Hand Gestures) Part 11 - Naadi Hasta ( Rivers & Oceans)
- Hasta Mudra (Hand Gestures) Part 12 AsamyuktaMudra__Pataka Hasta Viniyoga
- Hasta Mudra (Hand Gestures) Part 13 AsamyuktaMudra__Triataka Hasta Viniyoga
- Hasta Mudra (Hand Gestures) Part 14 AsamyuktaMudra__Ardhaataka Hasta Viniyoga
- Kartarimukham Hasta Mudra (Hand Gestures) Part 15 AsamyuktaMudra
- Mayuram Hasta Mudra (Hand Gestures) Part 16 AsamyuktaMudra
- Ardhachandra Hasta Mudra (Hand Gestures) Part 17 AsamyuktaMudra
- Arala Hasta Mudra (Hand Gestures) Part 18 AsamyuktaMudra
- Sukhotandu Hasta Mudra (Hand Gestures) Part 19 AsamyuktaMudra
- Mushti Hasta Mudra (Hand Gestures) Part 20 AsamyuktaMudra
- Shikara Hasta Mudra (Hand Gestures) Part 21 AsamyuktaMudra
Story Series- Story Series Part 1: Story of Andal and Tirumala
- Godessess Meenakshi (Story of Madurai) ___Story Series Part 2
- Ardhanarishswara_ The story of half man and half woman ___ Story Series Part 3
- Kanyakumari, the Virgin Godessess ___Story Series Part 4
- Markandaya, the one who won death ___ Story Series Part 5
- Damayanti, the Asura Princess ___Story Series Part 6
- Untold Unpopular stories of Krishna ___ Story Series Part 7
- When it all began, The story of Naras ____ Story Series Part 8
- When Bhrama and Vishnu fought ___ Story Series Part 9
Abhinaya Series- Abhinaya Part 1 -- Types of Abhinaya
- Abhinaya - Part 2 Practical Techniques
- Abhinaya - Part 3 NavaRasa (Introduction )
- Abhinaya - Part 4 NavaRasa (Techniques)
- Abhinaya - Part 5 NavaRasa (Stories based on Devi )
- Abhinaya - Part 6 NavaRasa (Stories based on Krishna's Life)
- Abhinaya - Part 7 NavaRasa ( Stories based on Rama's Life
Natyashastra Series- Shira Bheda ( Head Movement)
- Greeva Bheda ( Neck Movement)
- Urah Bheda ( Chest/ Breast Movement)
- Parshava Bheda ( Movement)
- Udaram Bheda ( Stomach Movement)
- Kati Bheda ( Movement)
- Pada Bheda ( Movement of the legs)
Sangeet Damodara SeriesShivatatva RatnakaraTaalam Series- Carnatic Taal
- Pancha Jati
- Dhruvam
- Mitiyum
- Jhampa
- Triput
- Adda
- Ekam
- Roopakam
- Sapta Talam
- Tisram Jaathi
- Chatusram Jaathi
- Khanda Jaathi
- Misram Jaathi
- Sankirnam Jaathi
- Difference between Hindustani Taal System and Carnatic Taal System
- Difference between Hindustani Raga and Carnatic Raga
- Taala Dasaprana
MiscStyle of Bharatnatyam [ Bani] Series- Different Style of BharatNatyam (Part1) -- Mellature Style
- Different Style of BharatNatyam [Part2] -- Tanjavur Bani
- Different Style of BharatNatyam [Part3] -- Pandanallur Bani
- Different Style of BharatNatyam [Part4] -- Kanchipuram Bani
- Different Style of BharatNatyam [Part5] -- Mysore Bani
- Different Style of BharatNatyam [Part6] -- Vazhuvoor Bani
- Different Style of BharatNatyam (Part 7) -- Coorg Bani
Nrityashree_Dance in the light of Life Episode 1Nrityashree_Dance in the light of Life Episode 2Nrityashree_Dance in the light of Life Episode 3Nrityashree_Dance in the light of Life Episode 4Nrityashree_Dance in the light of Life Episode 5Nrityashree_Dance in the light of Life Episode 6Nrityashree_Dance in the light of Life Episode 7Nrityashree_Dance in the light of Life Episode 8Nrityashree_Dance in the light of Life Episode 9Nrityashree_Dance in the light of Life Episode 10
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