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Jhampa

This forms the 4th Taalam out of the 7 taals in Carnatic music. Matya taal has 1 Laghu followed by 1 Anudhrut and lastly 1 Dhrut (Symbol   lU0).

 Below is the chart showing the details of Jhampa Talam in Panch Jaatis.


Note : We will very soon upload the videos explaining this chart on our Youtube channel.









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Angalakshana Part 1 - Anga Pratyanga & Upanga

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Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage.  Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called  Deva Hastas and AshtaDikpal Hastas.    Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the ear) 4.
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