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Hasta Mudra (Hand Gestures) Part 6 - Naadi Hasta


Moving upwards and downwards indicates a river for any river, we use the Patāka Hasta. I shall expound the right fashion of those hands that indicate Gaṅga etc in accordance with their special virtues.
Rivers
Mudra
Ganga
Tamrachuda
Yamuna
Rekha
Krishna
Simhamukham
Kavery
Cahtura
Saraswati
Bana
Vetravati
Suchi
KandaBhaga
Chenab
Sarayu, Padma, Bhagirathi
Arala
SuvarnaMukhi
Ardhachatura
Papanasini
Sukhatantu


The seven Oceans are
Lavaṇa
Mukula hands moved upwards and downwards
Dadhi

Tripatāka hands in the same manner.
Sarpi
Catura (hands in the same manner)
Sūra
Saṅkīrṇa and Patāka hands in the same manner
Ikṣu
Alapadma hands in the same way
Suddhodaka (Jala)
Patāka hands held just as before
Kṣīra
Sarpa-śīrṣa hands in the same manner


Introduction
Chatur Slokam --- BharatNatyam for Kids
Make Up, Ornaments & Dress (Part1) __Bharat Natyam
Angalakshana Part 1 - Anga Pratyanga & Upanga
Angalakshana Part 2 - Shiro Bhedam or Head Movements
Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement
Hasta Mudra (Hand Gestures) Part 10 - Dashavataram Hasta

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Angalakshana Part 1 - Anga Pratyanga & Upanga

 The science of dance was extremely well developed in ancient India. The word  Angalakshana  refers to the way of moving the body parts. In order to understand the concept and to perform Angalakshana, one has to understand and practice the categorization of the human body.  Types of Angalakshanam are written below. We will in-turn look at each of the Angalakshana in detail. Each and every student had to understand and practice this on a daily basis. Only after the mastering these, the Gurus would move towards teaching the students the dance numbers. Anga Pratyanga Upanga As per ancient Hindu practices, a human body or Sharera is taken as an inverted tree where the roots are at the top rather than at the bottom.  Both Charaka Samhita and Sushrut Samhita (the first known book on medicines written by Sushrut around 400 BC) talks about dividing the human body into 3 main divisions viz. Anga, Upanga and Pratyanga.  Charaka also proved the co relation of spiri...
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Hasta Mudra (Hand Gestures) Part 3 - Deva Hasta

Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage.  Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called  Deva Hastas and AshtaDikpal Hastas.    Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the e...
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Natya Shasatra _Slokas

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Hasta Mudra (Hand Gestures) Part 12 - Jaati Hasta or Varna Hastas

Since Pre - historic times, Indian society had a complex, inter- dependent and co operative political economy where each individual had a specific role to play in uplifting the society and human welfare. The caste system in ancient India was followed with precise order and instructions. One can go on and on about the intricacies of the Caste System in India. Many research in modern times have been conducted on the caste systems. For centuries, caste dictated each and every aspect of Hindu life with each group occupying a specific place in the complex hierarchy. Earliest mention of the caste system in ancient India can be found in Manusanhita (1000 years before Christ), a book written by King Manu who ruled South India and have said to migrated to North India. Jaati Hastas are very common in Indian classical dance compositions. While composing a dance drama it becomes very important to depict the characters with the help of these Hastas. These hastas in co ordination of the body...
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Angalakshana Part 3 - Dhristi Bhedam or Eye Movements and Bhrukuti Bheda or Eye Brow Movement

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Hasta Mudra (Hand Gestures) Part 5 - Bandhava Hasta

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