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Mangalam _ Margam Part 14

All Links  Margam Part 1       Allaripu    Jatiswaram   Shabdam      Varnam     Padam      Kirtanam      Tillana       Mangalam     Javeli       Ashtapadi      Malhari     Pushpanjali    Kavutham

Tillana _ Margam Part 10

The word " Tillana " comes from the north Indian word " Tarana ". Many say that the composition of Tarana in Hindustani or north Indian classical music is pretty similar to that  of the Tillana of  south Indian Carnatic music .  Even though its similar, yet specific differences are visible. Common syllables (many of which have Persian influence ) like "Odani" ,"Todani", "Tom","Dhrum", "Nam" etc are commonly used in both Tarana and Tillana.  Tillana is a rhythmic composition mainly consisting of Nrittya and  a very small Abhinaya part. Tillana mainly consists of the following parts..... Pallavi , Anupallavi , Sahityam and Caranam . Each Tillana is dedicated to a particular deity or a king. Traditionally, the Pallavi and Anupallavi would be sung in 3 speeds ( Vilambitaha , Madhyama and Dhrutam ) and the performance would continue for around 20 to 25 mins. However in modern times due to time constraints, many tillanas