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Sukhotandu Hasta Mudra (Hand Gestures) Part 19 AsamyuktaMudra

Sukahatandu Mudra : This is performed when you keep pataka mudra (thumb bend) along with the first and the middle finger bend. This is one of the those mudras that are used rarely.



Shukatundaka Viniyoga sloka
Banaprayoogecha Kunthartha | Alayasyasmrithikarma |
Marmukthyam ugrabhava  | Shukatundani yujyathae ||


Meaning of Sloka

  1. Banaprayooga – Shooting an arrow
  2. Kunthartha – Spear
  3. Alayasyasmrithikarma – Thinking or remembering about the past
  4. Marmukthyam – Mystic feeling
  5. Ugrabhava – Angry mood


Note : We will soon be posting the related videos.




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Angalakshana Part 1 - Anga Pratyanga & Upanga

 The science of dance was extremely well developed in ancient India. The word  Angalakshana  refers to the way of moving the body parts. In order to understand the concept and to perform Angalakshana, one has to understand and practice the categorization of the human body.  Types of Angalakshanam are written below. We will in-turn look at each of the Angalakshana in detail. Each and every student had to understand and practice this on a daily basis. Only after the mastering these, the Gurus would move towards teaching the students the dance numbers. Anga Pratyanga Upanga As per ancient Hindu practices, a human body or Sharera is taken as an inverted tree where the roots are at the top rather than at the bottom.  Both Charaka Samhita and Sushrut Samhita (the first known book on medicines written by Sushrut around 400 BC) talks about dividing the human body into 3 main divisions viz. Anga, Upanga and Pratyanga.  Charaka also proved the co relation of spirituality and physical health c
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Deva Mudras are an integral part of learning Indian Classical dance. These mudras are taught at a very early age to the students in order to achieve fluency. Abhinayadarpana talks about deva hastas. These hastas are not only used in depicting Gods and Goddessess during a play or dance, it is also used for sculptures of these deities. Natyashastra talks about how to decorate the stage.  Bharata also talks about which corner/ side of stage belongs to which God. This concept is extensively used in Vastu Shastra and Agama Shastra. These are called  Deva Hastas and AshtaDikpal Hastas.    Sl No. Deity Right Left 1. Bhrama Hamsasya (Chest Level) Chaturam (Facing Upward, chest level) 2. Vishnu Tripataka at waist level Tripataka at waist level 3. Shiva Tripataka (at the side of the ear) Simhamukham ((at the side of the ear) 4.
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Natya Shasatra _Slokas

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Hasta Mudra (Hand Gestures) Part 12 - Jaati Hasta or Varna Hastas

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