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Different Style of BharatNatyam (Part1) -- Mellature Style

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Mellature Style of dance from Tanjavur quadrant is one of the most graceful style of Bharat Natyam. Salangai or the Ghunrus are to be used only after the Salangai Pujai is completed. Bhavam is given utmost importance along with Loka dharma Abhinaya in this style, hence it comes out as more dramatic than others. It was during the late 1920s with the abolition of the devadasi parampara, that the Mellature style could cross the threshold of the ancient Hindu temples of South India. This is an integral part of dasiattam and devadasi parampara. Mangudi Iyer (follower of Srividya Upasana) is said to have popularize this dance style.


During the reign of Kakatiya dynasty (originated  from present Telengana region) the capital was changed from Kaiytim to Tanjavur.  Perini Thandava dancers from Telingana was invited as guests of the court to perform in front of Lord Nataraja. Few of the dancers selected to stay back as temple dancers. It is believed that from this union Mellature Style of dance was born. Hence there are many common features between Tanjavur style of Bharatnatyam and Kuchhipuri. Extensive use of clay and metal pots are used for this dance.

Most of the songs contains various Gatis in almost all the Jatis in every margam. Use of Ghatam or Clay pot both as an instrument and to dance on is very common. Diyas or lantens are commonly used for dance. This style harps on sophisticated usage of Salangai rather than stamping of the feet.

The dancers uses compositions of Purandaradasa and Othukadu extensively. The make up and the costumes are different, mildly though. Two KONDAI are commonly seen.

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